ikd

work: Graphics

  • 2021-12_Martin_1stFloor_Revision_001
  • 2021-12_Martin_1stFloor_Revision_003
  • 2021-12_Martin_1stFloor_Revision_007
  • 2021-12_Martin_1stFloor_Revision_027
  • Rose Art Museum Waleed Beshty informational pamplet design
  • Clark_Astrup-1
  • Visions of Norway, Clark Art Institute
  • Clark_Astrup-7
  • Timber-City-at-the-National-Building-Museum-_4_
  • Clark_Astrup-10
  • ISGM-SRC-IKD-IMG-S11
  • Cantor_Contact-Warhol_017
  • Harvard-Houghton-Lobby-6
  • BSA Urban Timber: from seed to city exhibition
  • <p> </p>
  • Drawn to Greatness exhibtion at the Clark
  • MIT Museum Cosmic Bell Installation
  • Austen Riggs is a voluntary, therapeutic long term residential community with an emphasis on intensive psychotherapy paired with a place for intellectual scholarship based in the Bershires. 2019 will mark it’s 100th year of operation. IKD was charged to fully renovate an existing structure to house a new public gallery space that will be home to a permanent exhibition that celebrates the long history and values of the center. IKD is acting as the design architect, exhibition, and graphic designer for this project in partnership with Pam Sandler Architects.
  • Rose Art Museum Waleed Beshty informational pamplet design
  • Pilot House Public Gallery renovation
  • 2016-1015-IKD-MIT-0185
  • Charles-Sheeler-Installation-9
  • TheIconicJersey-BaseballXFashion_InstallationView29_2021-06-10
  • IKD was awarded a guest curatorship at the Boston Society of Architects in 2014. IKD designed and oversaw the Timber New England Compeition and the Urban Timber: From Seed to City Exhibition
  • Women Take the Floor challenged the dominant, male-centric lens through which 20th-century American Art has traditionally been presented by highlighting the work of overlooked and underrepresented women artists. The exhibition design sought to redefine the traditional art historical notion of the male-gaze by literally and metaphorically establishing a new framework for looking at art. Using red quote boxes as a graphic and red architectural frames for walls and doorways allowed audiences to experience a visual and physical shift of the ‘white cube,’ sensitively bringing historic and contemporary works into dialogue
  • The Polaroid Project: At the Intersection of Art and Technology was an exhibition in two adjacent gallery spaces that explored various dimensions of the relationship between the art and technology of Polaroids, with over 200 photographs and 100 objects. To unite the two galleries, and the art and the technology, the iconic Polaroid spectrum rainbow logo was translated into a continuous spine through the centerline of the exhibition, tying together the 2 gallery spaces, display cases, immersive seating, and a connecting wall. The display cases featured artifacts including prototypes, components, and cameras tracing the Polaroid company’s many technological innovations over time. Photographs were displayed on “baffle” walls inspired by the interior of a 20x24 large format instant camera, which was also prominently displayed in the exhibition.Visit the VR tour here.
  • <p> </p>
  • The Polaroid Project: At the Intersection of Art and Technology was an exhibition in two adjacent gallery spaces that explored various dimensions of the relationship between the art and technology of Polaroids, with over 200 photographs and 100 objects. To unite the two galleries, and the art and the technology, the iconic Polaroid spectrum rainbow logo was translated into a continuous spine through the centerline of the exhibition, tying together the 2 gallery spaces, display cases, immersive seating, and a connecting wall. The display cases featured artifacts including prototypes, components, and cameras tracing the Polaroid company’s many technological innovations over time. Photographs were displayed on “baffle” walls inspired by the interior of a 20x24 large format instant camera, which was also prominently displayed in the exhibition.Visit the VR tour here.
  • Timber-City_IKD_Page_07
  • IKD has design the recently opened Off the wall exhibition at the Isabella Stewart Gardner Museum in Boston, MA. Declared as a {quote}Once in a Life Time{quote} exhibition, the project included a gallery renovation and casework design in the old palace as well as the exhibition design in the Renzo Piano Building Workshop Expansion wing that featured some of Isabella Stewart's most important works from her collection.
  • 2016-1015-IKD-MIT-0389
  • IKD has design the recently opened Off the wall exhibition at the Isabella Stewart Gardner Museum in Boston, MA. Declared as a {quote}Once in a Life Time{quote} exhibition, the project included a gallery renovation and casework design in the old palace as well as the exhibition design in the Renzo Piano Building Workshop Expansion wing that featured some of Isabella Stewart's most important works from her collection. image by Ben Kou
  • Urban Timber: From Seed to City Exhibition
  • Women Take the Floor challenged the dominant, male-centric lens through which 20th-century American Art has traditionally been presented by highlighting the work of overlooked and underrepresented women artists. The exhibition design sought to redefine the traditional art historical notion of the male-gaze by literally and metaphorically establishing a new framework for looking at art. Using red quote boxes as a graphic and red architectural frames for walls and doorways allowed audiences to experience a visual and physical shift of the ‘white cube,’ sensitively bringing historic and contemporary works into dialogue
  • Rose Art Museum Waleed Beshty informational pamplet design
  • The Polaroid Project:
  • Renoir-The-Body-and-the-Senses-21
  • 2018_DEY_COTM_Install
  • Women Take the Floor challenged the dominant, male-centric lens through which 20th-century American Art has traditionally been presented by highlighting the work of overlooked and underrepresented women artists. The exhibition design sought to redefine the traditional art historical notion of the male-gaze by literally and metaphorically establishing a new framework for looking at art. Using red quote boxes as a graphic and red architectural frames for walls and doorways allowed audiences to experience a visual and physical shift of the ‘white cube,’ sensitively bringing historic and contemporary works into dialogue
  • ISGM Anders Zorn Graphic design
  • MIT Museum Cosmic Bell Installation
  • Timber time line at the National Building Museum
  • Rose Art Museum Waleed Beshty graphic identity design
  • Urban Timber: from seed to city exhibition
  • Charles-Sheeler-Installation-
  • crivelli-intro
  • 2018_DEY_COTM_Install
  • Cantor_Contact-Warhol_007
  • IKD was responsible for the installation and exhibition design of the first ever museum retrospective of a single video game designer. The exhibition, The Game Worlds of Jason Rohrer at the Davis Museum at Wellesley College, is a survey of the independent game designer Jason Rohrer work which has formed part of the Museum of Modern Art’s initial video game acquisition.The central theme examines where video games are positioned within our daily culture and questions whether or not video games are art. The space is designed around four large installations that both create immersive environments to enhance game-play and form an interpretation of the games themselves. It also challenges the traditional notion that exhibition design should sit quietly behind the exhibited work. While the design is centered on creating a focus on exhibited works The Games Worlds of Jason Rohrer explores new possibilities in exhibition design through the immersive installation environments. image by Ben KouTo see a panoramic click here
  • Timber-City-at-the-National-Building-Museum-_10_
  • Life, Death, & Revelry Exhibtion at ISGM
  • Pilot House Public Gallery renovation
  • Renoir: The Body The Senses was an exhibition that followed the long and fascinating career of Pierre-Auguste Renoir through one of his most common subjects, the nude. Although he is most famous for Impressionist works, the exhibition featured lesser known dimensions of the artist—starting with Realism and culminating in modern classicism— showing that Renoir’s style was actually varied and constantly evolving. At the heart of theexhibition, the show featured a round gallery space displaying multiple studies for a single painting, off ering a moment of pause and reflection. Also featured in the exhibition were large scale wall murals and a timeline.
  • Cantor_Contact-Warhol_001
  • Common Thread Installation
  • Renoir-The-Body-and-the-Senses-22
  • Timber-City_IKD_Page_11
  • <p> </p>
  • ISGM Anders Zorn Graphic Identity design
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